Monday 26 December 2016

Animated Poem

Poem by Charles Causley
They are waiting for me somewhere beyond Eden Rock:
My father, twenty-five, in the same suit
Of Genuine Irish Tweed, his terrier Jack
Still two years old and trembling at his feet.

My mother, twenty-three, in a sprigged dress
Drawn at the waist, ribbon in her straw hat,
Has spread the stiff white cloth over the grass.
Her hair, the colour of wheat, takes on the light.

She pours tea from a Thermos, the milk straight
From an old H.P. sauce-bottle, a screw
Of paper for a cork; slowly sets out
The same three plates, the tin cups painted blue.

The sky whitens as if lit by three suns.
My mother shades her eyes and looks my way
Over the drifted stream. My father spins
A stone along the water. Leisurely,
They beckon to me from the other bank.
I hear them call, 'See where the stream-path is!
Crossing is not as hard as you might think.'

I had not thought that it would be like this.


(Youtube Channel)
https://www.youtube.com/channel/UCUXCLjfGg9c7xjSqAhpjhPQ

(Facebook Page)
https://www.facebook.com/callmemordecai/?ref=aymt_homepage_panel

That was my first animation so I'm very glad how it turns. Traditional animation using paper, camera, pens and markers. (Y)

A2 Posters

Work in Process by the Illustration - Animation BA





The posters should contain aspects of the A5 posters we did before about Heads, Hands and Hearts mixing them in one A2 poster.

H-H-H (Heads, Hands and Hearts)

Piece of 16 Heads, Hands and Hearts each one in A5 size.
16 Hands

16 Heads

16 Hearts

I'm adding my personal favourites ones..

Sunday 6 November 2016

Abstract Book Cover

The first one is "Wind in the Willow" by Kenneth Grahame. Unfortunately I haven't read this book but I tried to get the feeling of the story reading the synopsis and that was the result.



The next one is "The Jungle book" by Rudyard Kipling. I chose a palette with greens and oranges. I also, in general, like to use the white (blank) spaces  for composition purposes. to finish I scratched with the palette knife for a final touch.



"The Sea, The Sea" by Iris Murdich. Was quite difficult not to be obvious. I mixed lots of shades of blue and some of them aren't too mixed to give this 3d sense.



"Inferno" by Dante Alighieri. Basic used shades of reds also not much mixed and in this case I used water for effect.



"An Omelette and a Glass of Wine" by Elizabeth David. Light and dark blue for background. two abstract shapes makes the omelette (tons of yellow) and the wine (tons of red).



And that i it... was fun to make those, hope you like it...



Friday 4 November 2016

Walk Cycle

For this walk cycle I used a video (that I made) as my source and drew it.

The goal of this is draw a walk cycle in a different angle..
was pretty interesting to see how the movement works..

 By the way.. I monster was on me... (hehe)

Friday 28 October 2016

Animated Poem (Process)





(Sketching key frames 1-22) I started sketching my key frames just to have an idea of what I was thinking.. By the way It's not a literal interpretation of the poem..

(Yes.. That was the first attempt for the first idea...)

I did change it a lot and add lots more frames and that is the result.

Animated Poem (Sketching key frames 1-26) (FIRST PART) 

As you can see I tried to play with the timing to give a more realistic feeling to the animation and worked... (yeeey..) now that I got the idea right and have the key frames for that I just need to add more "in between" frames to it.

And that is the result:

132 frames in total. Next step is colouring but not all the animation, i want to make it in grey tone and make the cups blue.

Saturday 8 October 2016

2D ANIMATION

Set up your key-frames.

In my case I drew a woman holding a book 15 times. But for each draw I took one step aside.
So, I drew everything that was on my vision camp than took a step aside. Repeating this for 15 times doing a circle around the person drawn.
That way you set up your key-frames.
Key-Frame 1

At this point that is no need to have a "PERFECT drawing" and doesn't meter what you drew as long as you can transmit movement through theses drawings.

The surroundings are just as important as the person drawn due to the movement they transmit.






After you draw all your key-frames and photograph (or scam) them you will have something like this (gif like)
15 Key-Frames
You see that the movement have been shown that is what is important. Just don't worry about the quality of the drawing, you will probably not like it as I didn't mine but normal and again don't worry just finish. FINISHED NOT PERFECT - (Jake Parker)


In Between Frames

Now that you have your Key-Frames you will need the "in between" frames to complete the movement. Remember that as much drawing in between the key-frames more smooth and gracious will be the movement.

In that case I did just 2 frames in between each frame (just 2 frames will not give you the prefect, smooth movement but will be sufficient).



As you can see in this video we have 15 key frames plus one more frame in between. Its smoother but can be better so lets see with two in between frames.


This now is the final sketch with two frames in between each key frame. You can see now that is far smoother than the first one.

So in total, this 4 seconds animation, took me 43 drawings this is average 10 drawings per second, (For a professional high quality animation is needed usually 24 -30 drawings per second) which isn't bad for an exercise and you can always improve it making it clear or simply making more in between frames for your animation. So keep practising and keep sharp..

FINISHED.. NOT PERFECT.. (Jake Parker)


Final work, after add more frames. Now 68 frames.